The art for this has been mostly done for like a week, I’ve just been struggling with the text. I think I’ve found it now. So here we are, passing the Car Marsh on our way downtown to fix the router.
This update is five pages and it was fuuuuun; there will probably be more of this inverted look because I love how it came out. Feels appropriate to the world of Sects.
Little bit of backstory here, about the night the world ended. It wasn’t supposed to, but… they told us what we’d have to sacrifice to save it, and the price was too dear.
Finally recuperated from the tattoo enough to do some drawing. Today we have further damnfoolishness with the undead. Teeth are the currency used between sects in Sects (and also sometimes between insects), at least in Tooth City. It’s possible they use other forms of currency elsewhere, but we don’t travel much – the roads aren’t great, ever since all the left lanes simultaneously became sentient.
I’m trying some new stuff both with the color and with lettering. I don’t like the way the fonts look over the hand-drawn stuff, so I’m going to start doing it by hand with the sweet Pigma brush pen I have, which I am otherwise too chicken to use. I like the way it came out much better. We’ll see how it does on more color-dense pages.
So, low-income mental healthcare is a constant delight! Every three months or so I have to spend a few days calling various people over and over, asking them to do their jobs. This is the only way I can ensure the continued supply of the drugs that permit me to be a person for, oh… maybe a total of fifteen hours a week? without my spleen leaping up my throat to throttle my brain. When there’s any kind of hiccup in this utterly asinine process, like for example a holiday, or twelve inches of snow, or a computer glitch, the result is almost always a week or so of sliding back into the Well, remembering how steep that slope is, how hard it was to get to the basic level of functionality I now occasionally enjoy.
Winter is a pretty frustrating time for me as a result. At the moment I’m about a week into lacking one of the four pharmaceuticals I require to provide you the half-assed entertainment you’ve come to expect and demand. Without Adderall, Bupropion, marijuana and caffeine, I’m just about capable of showering once a week. No promises, and no pants. So this week the Adderall’s out, which is much better than the Bupropion being out – weariness and OCD ruining my productivity > suicidal despair – which is why you’re getting something half-finished. I want to do more with this but I’m in a lot of pain and very tired so it will happen tomorrow. I’m happy to feel like I’m getting better detail out of the pastels than I have before. They’re unpredictable little fuckers but I seem to draw better when I’m in less control of the process. It seems like I’ll improve when I can stop thinking so hard about what I’m doing. Isn’t that everything, these days?
At any rate, here is Eric, one of the four people currently living in Johnny and Ava’s family home and comprising their very underwhelming cult. I want to fill out all that negative space with some art nouveau designs and detail about him. There’ll be a portrait like this of each of our main characters. Couldn’t tell you why there’s a hairbrush on his desk, as he doesn’t have a damn bit of hair. Yes, he uses an old Macintosh that he found in a dumpster. He interfaces with it primarily via his chin-tentacle, so it sucks a lot less than you’d think. Yes, he’s naked. He doesn’t wear clothes around the house much. Just imagine all the majestic views of fish-dicks to come!
Meet Jeremiah and Eric. As all art imitates life, the house they live in is very much inspired by a number of places I’ve lived, and these two are made up of the men I’ve lived with and loved.
Jeremiah, the Lurch-lookin’ motherfucker on the left, is so literal a depiction of an old boyfriend that he could probably sue me for libel, but I honestly think he’d be pleased. He became even more of a Luddite than he already was when I kicked him out and he went back to Texas, so he’ll probably never see it. When we lived together and were speculating about our future, he promised me that, should I have a daughter someday, he’d refer to her as “Thunderhead,” because he felt it was an excellent nickname for a tiny girl. Thus, Ava inherits the nickname, because it suits her even better.
Eric, the bargain-bin lagoon creature in cargo shorts on the right, looks like all the other men I’ve dated who weren’t the enormous Texan. I like pale, skinny geek boys, what can I say? I look forward to working out years of unresolved domestic issues on these helpless ciphers of former lovers! I’m sure we’ll all grow a great deal as people while we watch them suffer for our amusement.
‘Lo, child! I hope your weekend is going as well as mine. Made some progress on the Shadowplay rewrite, but you can’t see that yet; I’m still adding even more murder. More murder than your body has room for! I think. Presumably your body has room for, at most, one murder.
On the subject of bodies with room for more than one concurrent murder, Sects has a new page. Will be introducing two more of our cultists, a pansexual fish-boy and a very Texan zombie, on the next page after this one. I think that’s going to involve pastels, so we’ll be back in color. I’m really enjoying working with the Pigma Microns for the black-and-white pages, though – I’m not good enough yet with the pastels to get the kind of gritty precision that I’d like, so when the scenes get complicated or text-heavy I’m switching to the pens.
This page I ended up drawing, scanning in, tweaking it in Photoshop, then printing it out to draw more on the shopped version, which worked way better than I expected. I’m thinking that might be an effective way to combine the pastels and the pens without having to draw directly on pastel with the Microns, which I feel like would destroy the tips. I’ve ruined cheaper pens trying to do that, and I’m disinclined to risk it with these, but if I do punch-up in Photoshop and then come back in to draw over the result, it might produce something both pretty and readable! Imagine!
Apart from the page, I also did a (very) rough blueprint of their house, for my own reference. The layout will probably change a little as I actually start drawing the rooms and figure out the flow of action through the space, and once it’s settled I’ll make a cleaner, sexier blueprint that will be of use to anyone other than me. For now, feel free to bask in the horror that is my handwriting.